
€180.00
€ 31.24 VAT
21% VAT included (seller ships from Czech Republic)
VAT automatically deducted for non-EU export sales
Shipping costs (calculated at checkout):
• Local (Czech Republic): €8.00
• EU: €40.00
• Worldwide: €80.00
Final shipping cost depends on your delivery location
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Cut from mid-weight cotton sweatshirt fleece, the “Hot coal” cropped sweatshirt is constructed with a focus on structure and detailing. The silhouette reinterprets the “Rose” denim jacket through soft tailoring, featuring kimono-style sleeves, considered volume through the body, and the brand’s signature contrast topstitching that traces the seams. The V-shaped neckline is designed to sit wide on the shoulders, creating an easy, slightly off-the-shoulder line. The cropped length is balanced by a substantial double kangaroo pocket at the front, offering both visual weight and practical storage. The back panel functions as the main decorative focal point, showcasing an original embroidery that combines a rose, a fish knife, and a small sausage motif. This composition is accompanied by an excerpt from Wabi Daněk’s song “Ročník 47,” referencing the idea of a glowing ember as a quiet symbol of resilience against everyday city hustle. Intended for everyday use, this piece is designed to layer comfortably over T-shirts or fine knits, pairing well with high-waisted denim, tailored trousers or over dresses to create relaxed feminine look. The cotton fabrication ensures breathability and ease of care, while the thoughtful construction and narrative embroidery lend it a distinct, collectible quality within a casual wardrobe.

Czech designer brand focused on sustainable streetwear.
I like to seek a broader context for my work. I like to draw inspiration from my emotions, experiences, and memories, so my collections tend to be very narrative. In terms of aesthetics, I prefer a light-hearted approach and humor, but absolute wearability and functionality of my designs are essential to me. I believe in a responsible approach to creation. This is reflected in the quality and sustainability of my work. I prefer deadstock materials, suppliers who are circular in their production, and local production. I loves streetwear, and although I occasionally venture into other "fashion genres," I always returnsto it. Lately, I have been drawn to denim and leather, which I use not only for my iconic jackets.